Arts & Entertainment
"Who's Your Paddy?"
A Review of the March Monthly Grind
By Sharon Allen
March 28, 2007
Wednesday AM
Ketchikan, Alaska - This year there were a lot of choices when
it came to St. Patrick's Day entertainment. There was the Cancer
Auction, the Norton Benefit, and of course, The Monthly Grind.
But, whether you started the morning with Green Eggs and Ham
or waited until after work for a draft of Green Beer, this month's
Monthly Grind was a great way to end the day's celebrations.
Right from the beginning, the leprechauns were in the house
and the pace didn't slow.
First up were the Kanayama
Kids. A group of twenty exchange students for the 2007 school
year, they performed two tunes, the last being an absolutely
hilarious and upbeat M-O-U-S-E Mickey Mouse song with
cute choreography the kids had created themselves. Although
the songs weren't Irish, no one minded a bit, and the youths
smiled and waved as they left the stage to resounding applause
for a job well done.
Kanayama Kids
Photograph by Chris Wilhelm
Next was good to see the familiar faces of Ketchikan's own talented
group, The Otter Limits. Mary Larson, Tom LeCompte, Terry
O'Hara, Don and Peggy Pennington and Dave Rubin performed two
whiskey-themed songs, Ode to Whiskey and Whiskey in
the Jar. Whiskey in the Jar is a great pub sing-a-long about
a man who robs Captain Farrell on the road. He brings the money
home and shows it to his love, Jenny. Then while he's sleeping,
his love takes his money and tells Captain Farrell where to find
him. Metallica covered it in 1999 based on a version by Thin
Lizzy. The crowd's part in the latter song was to sing along
to a refrain of:
musha ring dumma do
damma da
whack for the daddy 'ol
whack for the daddy 'ol
there's whiskey in the jar.
And with all of the enthusiastic
chanting, stomping and whistling of the audience, it was a wonder
the roof on the tribal house didn't come down by the end of it!
Members of The Otter
Limits: Marty Gillet and Tom LeCompte
Photograph by Chris Wilhelm
Not to be outdone, the River
People, a wonderful group of musicians from Prince of Wales,
took center stage then. Robert Cherney, Doug Black, Jay Bruns,
John Bruns, Sally Burch and Kosami varied their folksy tunes
with two island songs which found favor with the crowd. Another
favorite, a John Prine song entitled Great Rain also was
a favorite. Not having heard them before, I respected their
skills and, judging by the applause, many others felt the same.
I look forward to hearing more from them in the future.
As always, the tea, Raven's
Brew Coffee and homemade desserts were delicious and the twenty
minute intermission was just enough time to partake of the goodies
and catch up with friends.
Member of The Otter
Limits: Terry O'Hara
Photograph by Chris Wilhelm
The Otter Limits opened up the second half of The Monthly Grind
with two more songs; Holy Ground and Tell My Ma.
They rattled off the reels and jigs with gusto and had the audience
stomping along in time. Mary's penny whistle was excellent and
as always, Terry O'Hara's strumming strings were outstanding.
Member of The Otter
Limits: Mary Larsen
Photograph by Chris Wilhelm
Tim and Kay Long took the stage next with a few friends. Adam
and Christina Day, David Goals, and Matthew Cooke joined the
Longs in a set that began with Dave singing Black Velvet Band.
For those of you who are not familiar with the song, it has
a haunting melody and is a traditional Irish folk song concerning
the waves of Irish people who were sent to places like Australia
for their crimes. This song is about a tradesman who meets a
young woman who has stolen an item and passed it on to him.
The man then appears in court the next day, charged with stealing
the item and is sent to Australia for his supposed crime.
Christina's rendition of Ronan
Keating's song, When You Say Nothing At All, brought everything
to a standstill in the Tribal House. A well-known tune made
popular by Alison Krauss and the Union Station, Christina's voice
was just as breathtaking and nearly as flawless as Alison's.
Tim and Kay Long
Photograph by Chris Wilhelm
An instrumental piece came next, followed by an old 1887 parlour
hymn, Golden Bells. The simplicity of this song perfectly
set off Kay's voice and she sang it with emotional depth that
bespoke of her love for her grandfather and of this song; her
grandfather's favorite.
The Julie Miller/Lucy Kaplansky
ballad, Broken Things from the album, Every Single
Day signaled the trademark heartbreaker song that the Longs
always incorporate into their set. A sad song, fraught with
the weariness we all feel at times, it is also somehow tinged
with hope as the singer holds out the pieces of a broken heart
to another, despite fears that repair is impossible.
Kate Walters and Rob
Alley
Photograph by Chris Wilhelm
Their last song was an Irish favorite; a medley that included
Danny Boy. It was a great ending to an outstanding performance.
As always, the Longs deliver what they promise and what I love
most about the group is that the songs they play showcase individual
talent while still keeping it a group effort.
And what would a St. Patrick's
Day celebration be without Paddy's Leather Breeches? Carol and
Rob Alley, Anita and Sarah Hales, Vicki O'Brien, Shannon Springs
and Kate Walters were in the green with their painted faces and
Celtic spirit.
Shannon Springs and
Vicki O'Brien
Photograph by Chris Wilhelm
They began the set with a traditional Irish tune over 400 years
old and next up was a rowdy pleaser entitled Big Strong Man,
and the crowd's participation was part of the fun. It isn't
a very old tune, having been written in the middle of the 20th
century and dates itself with references to the Lusitania, Jack
Dempsey, and Mae West.
The entrancing strains of the
slip jig entitled The Butterfly were hypnotic, enhanced
by Anita's harp playing. Also known as The Swallowtail Jig,
it is a fun Irish fiddle song which is set at a near breakneck
pace that made just about everyone want to get up and dance.
Their selection of Siuil
A Ruin, also known as The Butcher Boy was yet another
old Irish folk tune. The verses of this song refer to a lover's
enlistment in the Irish Brigade who left Ireland after the Williamite
War (in 1691) to serve in the French Army. In Ireland these gallant
soldiers were referred to as 'Wild Geese' and the song is traditionally
sung by a woman.
Anita Hales and Shannon
Springs
Photograph by Chris Wilhelm
The last two songs they played were medleys. The first showcased
Danny Boy, and featured the hauntingly beautiful sound
of bagpipes. Instantly recognizable, this song was written by
Frederick Weatherly, an Englishman around the turn of the 20th
century using an old Irish aire. It was popularized in vaudeville
by the Irish Americans and soon became a St. Patrick's Day favorite.
Winding up the evening was a medley of The Irish Washerwoman
that had both the teenagers and the children reeling in the aisles.
It was a great ending to a fantastic night and at the end of
it all, if anyone had asked anyone in the crowd, "Who's
Your Paddy?" the answer would have unequivocally been THE
MONTHLY GRIND!!!
An Old Irish Blessing:
May the roof above us never fall in and the friends gathered
below never fall out.
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